Watch, I will engage in self-plagarism -- er, quote myself, I mean (seeing as I've done it before and all...):
As I watched Pompeii, I realized that for the first time, I was seeing a band who was using that ubiquitous (and utterly tiresome, usually) Radiohead influence in the right way -- chiming, lovely guitars and sweet, sad boy vocals and modestly epic and darkly uplifiting lyrics, over the driving clatter of emo drums and Peter Hook-ish melodic bass lines -- all hoisted up by the deep, raspy scraping of Caitlin's cello. I'm hesitant to know what to call Pompeii's music -- because it's not indie pop, or indie rock, or straight up goth or emo. It's all these things, and in the end, I think that's why Pompeii's music is so affecting.Well, you get the idea -- even if that is apparently the worst thing I've ever written. Speaking more compactly, in possibly useful comparison-speak, I'd place Pompeii squarely between the chilly, sad detachment of The Like and the hyper-emotive, ornate pop of The Format. Dean's got the kind of open, bright voice that every 16 year old girl in the universe will sigh over; the instrumentation and lyrics reveal the band's melancholy core. I will confess, I regularly get a little teary-eyed at their live shows -- which are just incredible, btw.
Assembly doesn't really have a dud moment (yes, I have totally listened to it like three times today already...), which is pretty impressive -- then again, I wouldn't expect anything less from these guys -- they never cease to impress me. (And isn't that record cover the loveliest thing ever? Seriously.)
Pompeii -- Catalog (via Eyeball Records)
Pompeii -- Assembly
Pompeii -- Numbers
...And a gentle reminder: we'll be at the Chain Drive dj'ing tonight. On the bill: Summer Wardrobe, Vacation Gold, and The Midgetmen -- and, as always, there's no cover! Hope to see you there!
5 Comments:
excuse me while i "pat ourselves on the back for a job well done" for getting the hourly radio and pompeii on the same bill at SXSW. that was utter genius, and we both know it. damb.
...and charles! it really did work out pretty darn well. there was a whole lot of pretty guitar action that afternoon.
Hmm, thanks for that Pompeii! I really like it.
(I'm new to this blog, really enjoying it thus far =). To put a bit more identity to my alias, I'm the anonymous 'grammar nazi' from the last post.
Nice to meet you, Toran! Glad you liked the Pompeii -- and thanks for having a sense of humour, too. (;
Hey this is the Oxford Collapse guy (the fist one)- sorry about the "anonymous" I just don't have a blog. I apologize if my comment yesterday came off as grumpy- I really, really enjoy your blog and thank you for all the wonderful music- Larry
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